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Poker Casino – Every casino with a poker room must hire a staff of dealers. Casinos generally pay dealers a minimum wage. However, a dealer’s main source of income is not the salary, but the tips of the players. Tipping income can be significant for sellers who can act quickly and effectively. There are a few exceptions for accepting tips. (e.g. in Sweden, where all casinos are state owned, dealers and other casino staff are not allowed to accept tips from players. This rule is strictly enforced.)
To become employable at a casino, applicants with no previous experience usually have to complete a 4 to 6 week training program at a deal school. It may be necessary to work late and sit for long periods of time to trade in a casino. Dealers also often work on holidays, as these are particularly busy days for casinos. Dealing with difficult individuals or abusive players can be another downside of trading in a casino.
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Major poker tournaments also hire dealers. For a stop-giv tournament, the tournament coordinator will hire dealers on a contract basis for the duration of the tournament, which can be anywhere from a few days to a few weeks. Board and lodging may or may not be provided by the tournament management; the dealer is usually responsible for their own travel expenses.
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Dealers must be adept at shuffling the deck, dealing the cards to the players and, if required by the game at hand, turning the community cards face up in the quarter of the table. There are two methods of dealing the cards, “American” style and “European” style.
To shuffle the cards, the dealer follows an order set by the casino. First, each card is spread out on the table and shuffled randomly. This is called “scrambling” or “washing” the cards. The cards are collected and placed in a pile. At this point, a typical shuffle sequence could be: riffle, riffle, box, riffle. Professional dealers always keep both halves of the deck very low to the table when shuffling. Some casinos have automatic shufflers built into the table that shuffle a pack of different cards as the previous hand is played, speeding up play.
Finally, a cut card is placed on the table and the deck is cut to the card. The cut card is held at the bottom of the deck in front of the tie hand, to avoid showing the bottom card.
In American-style dealing, the deck is held in one hand and the dealer uses the thumb of his hand to slide the top card of the deck onto his throwing hand. The throwing hand touches the card between the thumb and forefinger while at the same time the center of the card touches the surface (nail) of the middle finger. The extension of the middle finger “moves” the card off the top of the deck and a thumping sound should be heard as each card comes off the top of the deck.
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The ability to place cards correctly is critical, as the cards must be delivered in such a way that no player at the table can see the bottom of the cards.
European style dealers only touch the top of each card. The card is pushed off the top of the deck onto the front of the table in front of the dealer. The dealer nudges the card toward the receipt, usually giving the card some spin to face a slide.
Before a community card is dealt, the top card of the deck is either burned or discarded. The rationale for burning is that the top card in the deck is visible to players during the previous round of betting, so that a cheater can see a mark on the top card and thus gain an advantage over their opponents.
When burning, the deck should be kept low and the burning card should be level with the surface of the table. Casinos take great care to ensure that a dealer does not “flash”, or accidentally reveal the burn cards to players at the table.
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In flop games, the three community cards that make up the flop are turned over simultaneously, never one at a time.
Dealers control the action during a hand. This can include encouraging players to act, verbally announcing player actions to the rest of the board, and correcting players who act out of turn.
Dealers must also control the pot. The dealer must check the number of players’ bets and raises, collect folded hands, keep side pots, and read the hands of players in the match to identify the winner or winners. In games with rake, the dealer must also keep track of the amount of money in the pot and remove the appropriate amount for the house.
Sometimes the dealer needs to communicate with the floor or other casino personnel. Some casinos equip the dealers with headphones or walkie-talkies for this purpose, while in other casinos the dealer has to shout above the ambient noise. The following table shows some common phone calls a dealer may make, and their meaning:
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Asks a chip runner to bring chips to fill the dealer tray. This tray should be kept full of low dominance chips in a high limit game so that a change can be made to the pot so that the rake can be drawn.
For cash games, used to remove a player’s chips from the table to clear the seat. Also for satellites with one table, the staff is asked to come and collect the cash fees from the table.
Warns the floor that a new player will play in a seat occupied by an absent player until the absent player returns. A “playover box” or other object is usually used to separate the sitting player’s money and chips from the money and chips of the person who is overplaying.
Used in single-board satellites to announce that the game is over and the prize is due.
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Calls on the venue to resolve a game participation problem, such as if a game has to be interrupted due to not enough players.
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Worried director Martin Campbell. This was his second reboot of the James Bond franchise, and as production approached, he realized that the centerpiece of the movie – a showdown between 007 and bloodshot-looking villain Le Chiffre – was set around a silent poker table. Screenwriters Neal Purvis, Robert Wade and Paul Haggis loosely replaced Ian Fleming’s 1953 novel of the same name, replacing the author’s original baccarat game with three grand rounds of Texas Hold’em. The card game, they believed, led to better drama – it was more widely known, required more skill, and led to more money. But to Campbell, who had never picked up a deck before, it looked like a canvas.
“There was a lot of [card] in there,” he said. “That’s the thing I’ve been sweating more than anything.”
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, which transitioned from Timothy Dalton’s gritty gaze to a more fantastical world. In the next three movies, the stories got too kitschy. By the time Brosnan was done with 2002
, driving invisible cars through ice palaces, the Bond producers knew the franchise had moved on to self-parody. “They wanted to bring it back to Earth,” Campbell said. “When I came on board, I had the same feeling. I felt the whole thing had to be good and real on the ground.
That meant a contemporary action film – harder, darker, less dependent on CGI and more committed to realism. When Daniel Craig signed on to embody the new direction, he embraced the idea of portraying a vulnerable hero. His Bond was rash, reckless, full of emotion. He made mistakes, but he looked good (albeit occasionally) making them. He was the perfect character to take part in a high-tension poker game. Still, thought Campbell, how would he animate this green drama?
“It was hard to imagine how you keep the audience engaged in those card games,” says the film’s editor, Stuart Baird. “Everyone was terribly afraid that people would get bored of him.”
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Campbell cracked it. The approximately 30-minute casino sequence plays out like a masterful microcosm of the film – it has its own storyline, punctuated by deadly fights and shocks, and it showcases mental prowess and Bond deaths. More importantly, Craig proved capable of tantalizing a daredevil and fine-tuning a martini sip, and he put his skills to use in one of the best renditions of poker in movie history. “I think the progression is pretty compelling,” Campbell said. “What you realize is it’s not just the card games – it’s the stakes. It’s actually two men looking into each other’s eyes. That was the secret.”
. Needing to understand the game on a molecular level, he enlisted veteran producer Michael G. Wilson, who also served as an informal poker consultant, to teach him the ins and outs.
Had a few suggestions. On the set of that movie,