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Casino In Chennai – Wellington Cinemas! The name itself refers to a different era than cinema’s early days and heyday. It is one of the oldest theaters in the city and the first to be hammered by vandals. A colorful and hideous commercial complex is now named Wellington Place.
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Starting with its name, there are many interesting points in the history of this theater. Before the film was released, Rustamji Dorabji ran a bicycle company. It was Bombay in 1901. The Wellington Bicycle Company he founded is the Indian agent of several foreign brands and is also one of his collaborators with the West End Bicycle Company in London. Business boomed and Rustamji soon opened outlets in Secunderabad, Pune and Madras. He added the company name to his own, and Seth Rustamji changed his name to Dorabji Wellington. However, he seems to be someone who is perpetually on the lookout for new business interests. The Wellington Cycle Company briefly attempted to make phonograph records in Bombay in 1908, before withdrawing a year later.
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His first foray into the film world was in Madras. That was in 1918, when he established the Wellington Cinema and its neighbor, the West End, on General Pater’s Road near Mount Road (no need to guess the names origin of). It was here that the Justice Party held its first annual meeting in 1918, a milestone in the history of the Dravidian movement. He set up a bicycle showroom in a space in front of the mountain road. The success of the theater here encouraged him to lease the Kovasji Franzi Academy in the Dobhitaraf area of Mumbai and convert it into the Wellington Theatre. He also runs the West End theater in Gilgamesh. A third, Venus, appears later. Rustomji, a thoroughly Anglophile, has made it clear that his theaters only show British films. He believed that catering to Indian audiences was tantamount to inviting disaster, as theater facilities were completely gutted, and their tendency to chew and spit betel nuts was the first of many bad habits. Screen the film for a week for Indian audiences and then clean the place for the next three weeks, he said. In Wellington and Madras, when the theaters were still silent, full orchestras provided musical entertainment even when films were on screen.
Details about the ownership of the Wellington land are not yet known. It is likely owned by Raja Venugopal Bahadur, a Telugu millionaire who owns a large property and many business establishments on Mount Road, These included the Madras Stable Company and, more importantly, the Indian Siegwart Beam Company, which introduced reinforced concrete beams to mountain roads. City. Rustomji appears to have absconded with Raja and more importantly his manager, WH Nurse, and is brought to court for forgery and fraud. The case was dismissed at the Sessions Court as baseless, after which Rustamji filed a defamation suit against Raja and Nurse in the High Court. Raja’s death went smoothly, but Rustomji continued his case, leading to serious legal questions about whether damages could be recovered from the deceased. After due deliberation, the law ruled that this was impossible, and Rustomji’s grace accepted the verdict.
Rustomji appears to have died in 1930. His eldest son, Burjorji Dorabji, inherited the Wellington Cycle Company and cinema of the same name, while his younger son, Frumji, took over the West End, which he later sold to AK Ramachandra Iyer, who renamed it Midland. Wellington flourished under Berhaozhi’s leadership. He did not share his father’s fears with Indian audiences, nor did he open his theaters to Hindi and Tamil films. Dinsha Tehrani worked here as a projection equipment operator for several years before becoming a well-known sound engineer in Kollywood. Advertisements at the time proclaimed Wellington as “the birthplace of all that is exquisite in the world of sound films”. Shows are held twice on weekdays – 6.15 and 9.30. Weekend matinees at 3.15pm. Every Wednesday and Saturday the program changes.
Wellington’s heyday coincided with Gemini Studios. Dorabjee is a close friend of SS Vasan and prefers the latter to act for his films. All of Gemini’s hits premiered here, as did some of the bad ones. Even Vasan’s worst film is screened in Wellington for 25 weeks and, according to screenwriter Ashokamithran, the theater is eligible for an Endurance Award. But these hits are more memorable, and Chandralekha is released here, just like Avvaiyar. Subsequent productions brought Wellington more than a successful release. A chief minister from Madras made a special trip here to watch a movie and bought a ticket.
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Avvaiyar was released in 1953, and as a marketing exercise, Vasan organized a series of special screenings for prominent figures in Madrasian society, whose views were promptly recorded and released to the media. One of the screenings was for the benefit of Rajaji. He was the chief minister at the time. According to Ashka Mitran, CM sat in the cinema and said nothing, his presence was publicity enough. But the story is not over yet. One night after the film’s release, Rajaj came to Wellington to see it for a second time. Their driver bought a ticket, Rajaj was ushered in, and soon most of Vassanand’s senior Gemini staff, who were on alert, arrived. CM watched the film completely again, and then left silently. But it is enough for the world to know that Rajaji has seen it twice. By then the movie was already a huge success. Years later, Rajaj’s true opinion of the film surfaced in his diary. He found it innovative. Why did he see it twice? He wrote some articles about how he took a huge risk to do it. Vasan was an MP, and it was possible that someone high up in the party had twisted Rajaj’s arm to give him another look.
In the 1930s, the land on which the Wellington Theater stands and the 126 adjacent sites were acquired by Dinsha Dadabhai Italia, a prominent Hyderabad businessman who later became a member of the city council. The entire land was christened Dinrose Estate and was soon established, built and leased. Part of the land was leased from the Pathasarathi Temple in Tiruvallikni. In its history, it appears that Burjorji Dorabji or his descendants decided to sell their interest in Wellington to the Italians. By the 1970s, the theater’s heyday was over and ushered in a revival. Watson died, and his Gemini studio was in trouble. It closed in the mid-1970s. So is Wellington. Those who remember its interior remember it as fairly understated. It’s a far cry when the fast Rustamji refuses to serve anyone but European dignitaries or the Chief Minister stands in the lobby while his driver buys a ticket.
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The Italians decided to demolish the Wellington Hotel and build a commercial complex on its original site of 20. No one would believe that the days of side-by-side movie theaters are numbered and only one or two will survive three decades later.
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This article is part of my series on Chennai’s Lost and Surviving Landmarks. you can read the previous