Casino 1995
Casino 1995 – Goodfellas is a suspenseful blast – nostalgic, unrelentingly quotable, and oddly relatable even as it leads to a drug-addicted tragic end. A casino, alternating colder and hotter, sickening violence and so violent, so depressing, nobody knows a good time… Casinos have looked so much more stressful to me in the past two decades. If it almost feels like a different film, maybe it’s because it’s more controversial than we know it.
As Sam “Ace” Rothstein, Robert De Niro delivers one of his most poignant performances in Martin Scorsese’s violent, epic, and understated film, a film that feels richer, more nuanced, and more masterful every time you’ll watch it.
Casino 1995
It presents a rare and inspiring glimpse of a director pushing his skills, his obsessions, and his stylistic experiments to the limit. Scorsese’s attempt to abandon narrative and explore the world through montage and dubbing, to mix high and low culture, to gain panoramic insights into America, to show violence as violent and ugly as possible.
Casino (universal, 1995). British Quad (30
My pick for the decade’s best and most popular film is the sublime and misunderstood Martin Scorsese’s Casino – a sprawling and over-the-top mess in some ways, but recent US theaters nearby have produced a ‘how-we’ live today’ Zola school statement. .
Scorsese’s film is technically impressive. There’s even something interesting about this topic – the way Las Vegas, and the organized criminals who run it, have changed over the past few decades. What’s wrong is his attitude: virtue almost seems to have become an end in itself… Scorsese’s dazzling kinetic technique grabs attention so constantly that story and character fade into the background.
It relates 70s after 60s GoodFellas, finding Las Vegas the ideal microcosm of the decade’s faux luxury. Yes, too, insofar as Scorsese and Pileggi have mined other rich sources of the serious history of American organized crime and recklessly indulge in their findings. But it’s also darker, more complex and more ambitious.
It’s not a particularly fresh or interesting subject, though it holds promise as a form of storytelling, with the sounds of Sam and Nicky interacting from moment to moment, and Scorsese’s usual stream of hyped camera movement rocking the visual accompaniment like a seesaw cocktail. But then the air slowly escapes from the tires of this vehicle, and we get a story we’ve heard so many times before and with familiar characters that are even less interesting than the drill.
Casino (1995) » Shotonwhat? Behind The Scenes
Beginning with an explosion whose shockwave extends across time and space like the Big Bang narrative, Casino is Scorsese’s Gotterdammerung, a thrilling and terrifying final word on the culture of violence, criminal enterprise, and American civic life he has mined since Mean Streets. life of real-life mob associate and casino operator Frank Rosenthal, Martin Scorsese directed the 1995 epic crime film starring actor Robert de Niro
, who has worked with the director eight times before and will continue to work with him twice after that. Alongside De Niro, is actor Joe Pesci
, who is also known to have worked with Scorsese and De Niro several times before and since. Joining both actors in equally important roles is the talented and beautiful Sharon Stone
, who won two awards for her performance in this film. Nonetheless, younger audiences may only know him from his famous interview scene
Casino French Movie Poster
In 1970s America, talented sports gambler and handicapper, Sam “Ace” Rothstein (de Niro), catches the eye of the Chicago Outfit crime syndicate after his skills become a valuable asset. They appointed him to run the day-to-day operations of the Tangiers Casino in Las Vegas. The mob also sends in Nicky Santoro (Pesci), a friend of Sam’s since childhood, to ensure that their take is cut from the casino and that the Vegas crime family doesn’t get out of line. . But like all things Las Vegas, you play the game long enough, you’re bound to start losing. Big trouble starts to pile up with Nicky’s loose cannon, Sam’s gold digger wife, Ginger McKenna (Stone), and several government officials looking to take Sam down.
Right from the start, you know that everything is going to burn by the end of this movie. This is the story of a tragedy and the film is about how the characters got there. Crime movies are familiar territory for Scorsese and you can see many of the same elements that make movies what they are
Blows all that away, at least in terms of size. He tells us that this is something else, in the face of a different evil. It’s the kind of display of abundance we wouldn’t see again from Scorsese until his 2013 comedy/crime epic.
Despite my penchant for expression, Scorsese is definitely the type of director who knows how to tastefully use narrative devices and his use in this film is no different. The first 30 minutes or so of a film is heavily narrated, and narration also plays a big role in the storytelling throughout the film. The back and forth between Sam and Nicky is both entertaining and informative, especially as the narrative is invariably coupled with stunning views of the glitz and glam of Las Vegas and the city’s criminal underworld.
The Ace Black Movie Blog: Movie Review: Casino (1995)
Robert de Niro as criminal casino operator Sam Rothstein is chill and responsible, but with a cool and confident swagger to him. Sam Rothstein is a terrible human being. Not the scariest thing in the movie, mind you, but he wasn’t a nice guy. Yet, with De Niro’s innate charm and comfort with the character, he convincingly plays a man you shouldn’t be able to sympathize with, and yet you do.
Joe Pesci is the face you imagine when you think of “mob enforcer” and his portrayal of the man Nicky Santoro created in this film underscores the niche he finds in the mafia game within.
, Pesci moves convincingly between the roles of the loyal and sympathetic friend and the hot-tempered, unhinged gangster. His short stature and broad body may seem like the antithesis of the archetype, but Pesci makes it clear Nicky means business. The only bad thing we can say about Joe Pesci’s performance here is that he’s basically remaking Tommy DeVito’s character from
Sharon Stone steals the show with every scene she participates in. Playing a character who constantly lies is one thing, but for an actor to pull off a role where every tear lost has to be patently fake but convincingly real is something else entirely. Her character, Ginger McKenna, is the kind of person who will make your skin crawl, but will also make you forget every time she bats her eyelashes. He is a cold-hearted, boneless, and two-faced human who likes to play the victim. Oh, you’d love to hate it. And if asking an audience for an emotional response is the foundation of good acting, I think Stone deserves more than a Golden Globe and an Academy Award for this role.
Casino, 1995 Film (Special Edition Dvd) Robert De Niro, Joe Pesci, Sharon Stone
Is a tragedy. From the start we knew exactly where this was going. The movies tell us to sit back and enjoy the beautiful chain of events that eventually lead to Sam’s downfall.
Through the brilliant use of narrative expression, Sam tells us how his world works, how Las Vegas and their casinos work. We were told how cheaters are handled, how someone is always watching, and how you must remember the cardinal rule of casinos: keep them playing and keep them coming back because the longer they play, the more they lose. In the end, only a house gets it all.
All of these points cleverly play into the downfall of Sam’s empire throughout the film. The point about how, in the casino, someone is always watching everyone, plays into how the FBI is watching the characters and all their associates, waiting for them to make a mistake. Finally, the FBI got what they wanted when Frankie (Frank Vincent) spilled the beans about the criminal activity going on in Tangiers.
The point about con artists that Sam makes at the beginning roughly reflects how Nicky gets it in the end. Because of his deceit against his best friend, his abusive relationship with Ginger, and his insatiable greed and pride, he and his brother are killed in a very satisfying fashion.
The Prince Charles Cinema
But the best point is shown when the story of cardinal casino management reflects the individual downfall of each of the main characters.
When Nicky is blacklisted and banned from Las Vegas, he basically stops working in town and can easily go home and tell the family he can’t do it anymore. Instead, he couldn’t leave himself well enough and was seduced by the show that is Las Vegas, setting off a chain of events that ultimately led to his death.
On the same note, it’s clear that Sam was offered a position just as good by the family as he was free from his
