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Director Martin Campbell is concerned. This is his second reboot of the James Bond franchise, and in the scope of the production, he realized the center of the film – the clash between 007 and the old villain Le Chiffre – took place at a quiet poker table. Adapting Ian Fleming’s 1953 novel of the same name, screenwriters Neal Purvis, Robert Wade, and Paul Haggis replaced the author’s original game of Baccarat with three massive rounds of Texas Hold’em. Card games, they believe, make for better drama — they’re better known, require more skill and offer higher stakes. But for Campbell, who had never stepped on deck, it seemed like a snooze.
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“There are a lot of [cards] being played there,” he said. “It’s something I sweat more than anything else.”
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, which moves from the hardness of Timothy Dalton to a more magical world. In the next three films, the story became too kitschy. By the time Brosnan graduated in 2002
, driving an invisible car through an ice palace, the Bond producers realized that the franchise had become self-deceiving. “They want to bring it back to Earth,” Campbell said. “When I got on board, I felt the same. I feel that everyone needs to have good, real feet on the ground.”
That means contemporary action movies — tougher, lighter, less reliant on CGI, and more focused on realism. When Daniel Craig signed on to direct New Directions, he embraced the idea of portraying a vulnerable hero. His bond is lazy, rude, emotional. He makes mistakes, but looks good (if occasionally) doing it. This is the perfect feature to take part in a high-pressure poker game. However, Campbell thought, how would he play this green feeling?
“It’s hard to imagine how you can get the audience involved in those card games,” says Stuart Baird, the film’s editor. “Everyone is worried that people will get bored with it.”
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Campbell breaks it down. The roughly 30-minute casino sequence acts as a brilliant microcosm of the film – it’s a subplot of its own, interspersed with battle punchlines and death-defying shock, and shows the emotional courage and mortality of Bond. More importantly, it proved that Craig was capable of daring thrills and martini-sipping improvisations, and applied his skills to one of the best portrayals of poker in film history. “I think the sequence is very believable,” Campbell said. “You know, it’s not just a card game – it’s betting. It’s also two other fucking people, really. That’s the secret.”
. He had to understand the game on a molecular level and relied on veteran producer Michael G. Wilson, who also serves as an unofficial poker consultant, to teach him various aspects.
There are a few tips. While on the set of that film, Baird recalled how Donner chose to shoot Mel Gibson and how he created tension for the film’s climactic scene. “He said shoot everything you can think of, especially the eyes, look, close your eyes,” Baird recalled. “I told Martin to do the same: shoot the hell out of everything you can.”
Baird’s proposal fits against the background of Campbell’s ongoing actions. In one of the film’s thrilling opening scenes, Bond chases a bomb maker through a construction site in Madagascar. It’s a thrilling parkour quest, and Campbell matches the daring aerial acrobats from every angle. “He was a bull in a china shop,” Campbell said of Bond. “He just took any risk, he didn’t really think about it.” Kinetic filmmaking – quick cuts and multiple perspectives – combined with 007’s dynamic style gave the director a plan for bringing the quiet poker scenes to similar life.
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To achieve the simplicity of the game, the production enlisted Tom Sambrook as an official poker consultant. While at drama school in his 20s, he began playing poker religiously, eventually turning professional at London’s Victoria Casino. In 2002, he won the European Poker Championship, and for the next three years, as the game moved online, Sambrook lived as an Internet novice. Then, in 2005, a brief came through his acting agency asking for someone to help manage a European poker tournament. “It’s not really clear what it is,” Sambrook said. “I went up for it, and only then, when they sent me out to Prague, where I met Michael Wilson, I knew it was to play Bond.”
While Campbell and his crew built and prepared their makeshift casino, a set that would allow the director to place the camera wherever he wanted, Sambrook began training several actors (some for the main competition, others are for pre-game movies) to bring them back. to legitimate players. He set up a small table and played a few hands, guiding the entire process. “I would take them for 15-20 minutes to a basement room at Barrandov [Studios], where they set up a poker table,” he said. “I just told them that the absolute minimum is that they need to know that they’re playing this game.”
Typically, Sambrook explains, veteran poker players operate with absolute economy – they manage their cards, place their chips and move their eyes in small, efficient ways. With such a huge pot on the line, showing subtle virtues is important. “None of these fancy moves, nothing special,” Sambrook said. “It seems strange if you go to the poker table with a lot of attitude, but nothing is happening behind it.” He impressed upon the actors to get rid of clichés and replace them with a real decision-making process. He taught them the aerodynamics of chip tossing and the importance of keeping the table flat. “Things stick out like a sore thumb if you don’t [play a lot],” he says effectively.
To keep the crew engaged, Wilson also holds friendly games during production to teach rules and regulations. Some of the cast members even went to the casino in Prague to watch the natural flow of professionals. “I’m a Scotch Presbyterian – I hate gambling,” Baird admitted. “I think Daniel Craig won [our game]. I lost about 15 minutes.” Adding another layer of credibility to the film, Campbell named Andreas Daniel, an Austrian casino inspector who “can do anything,” as the film’s official distributor. “I was really lucky,” said Daniel. “My experience as a trader helped a lot.”
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When shooting began in Karlovy Vary, the actors – including Mads Mikkelsen and Jeffrey Wright – became poker addicts. “We’ll be playing games constantly between times,” laughed Sambrook. “It’s complicated, because I try to deal with three or four different games with different people in it, and keep track of their stacks, and I try to remember whose stack it is.” Although Sambrook taught Mikkelsen to twist the chips around his fingers and look like a pro, the Danish actor and his friend couldn’t hide their novices. “They get paid a good day’s wages,” Sambrook said. “I see it as their privilege to learn by paying this to me.”
The goal of beauty, of course, was achieved. For the next nine days, Campbell had professional poker players – not to mention dealers, bankers and observers – at his disposal. “I think they are very reliable,” Campbell said, before realizing the challenge of shooting them all. “It’s going to be a mathematical exercise.”
Set up shop in Prague, the actual poker sequence takes place at the Hotel Montenegro. Inside, Bond is recruited by MI6 to play in an international poker game hosted by Mikkelsen’s LeChiffre. The film’s villain hopes the 10-person, $130 million game will make up for his past financial losses and appease his angry customers, believed to be global terrorists. Although Bond’s involvement means financing crime, he is Britain’s best shot at bankrupting LeChiffre and ending his underground deals.
, and they all feature a showdown between Bond and LeChiffre, providing the three textures at the heart of the film. Bond initially complains about his cards and is disheartened to discover LeChiffre’s claim; Second watch LeChiffre trick Bond and take him off the table with quad jacks; And the third watch Bond returns to the race to redeem himself in a title challenge. In between, Bond takes a break from drinking by killing two people in a stairwell and, later, survives a poisoned drink after Vesper (Eva Green), his British accomplice, puts his life on the line. balance.
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“It’s kind of Bond before he was Bond, thinking with his heart instead of his head,” Campbell said. “From an exciting point of view, every card game has a good climax […] The point is that you don’t play it for long,
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